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The Anome (Durdane Book 1), by Jack Vance
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The minstrel Gastel Etzwane lives in Shant- a country of cantons, each independently dictating its own law and customs. The enforcement of law is simple, quick, and inevitable: death by decapitation, from an explosive torc clamped around each citizen's neck by authority of a single man- the Anome. For millennia Anomes have ruled Shant, dealing death as they see fit- and none dares defy them, until Gastel Etzwane risks his head to expose the Anome’s identity- and end the tyranny of these faceless men forever.
The Anome is part 1 of 3 of Durdane.
The land of Shant on the planet Durdane is ruled by a purposely anonymous dictator called the Anome or Faceless Man. He maintains control by virtue of the torc, a ring of explosive placed around the neck of every adult in Shant.
Cover art by Tais Teng
- Sales Rank: #431658 in eBooks
- Published on: 2012-05-18
- Released on: 2012-05-18
- Format: Kindle eBook
Most helpful customer reviews
9 of 9 people found the following review helpful.
Part 1 of a three part novel
By Phil Jensen
The publication history on this one is a little confusing. I read it as part of a trilogy called The Brave Free Men, but I can see that it has been renamed (probably at Vance's request) Durdane. I see that other people have read it as The Faceless Man, but my copy is called The Anome.
The three books in this "trilogy" are clearly one novel. In today's world, it would be published as one largish 700 to 800 page novel. I don't know if hacking it into three volumes was Vance's idea or the publisher's idea, but either way, it's really one novel.
The book itself:
The Brave Free Men aka Durdane is one of Vance's finest works. The sense of danger and suspense throughout the book is finely tuned. The main character has one of the best arcs in Vance's canon. Vance's fans are accustomed to overlooking shaggy pacing and casual plotting in order to enjoy his mind-blowing world building and creativity, but they will not have to do so here. This is one of the times that Vance's strengths came together perfectly.
5 of 5 people found the following review helpful.
Vance at his best
By Jack Of Alltrades
Vance knew how to do what most of today's SF writers have forgotten: how to make you care about a character. I was drawn in and held by this world and this character. Vance's worlds are above all, real worlds, every bit as corrupt, evil and cruel as this one, and that's what makes his stories so believable and involving. And the system of balloons are fun, too.
3 of 3 people found the following review helpful.
Vintage Vance
By David Studhalter
While not generally considered Vance's tippy top drawer, the Durdane books (The Anome, The Brave Free Men, and The Asutra) are more than readable. Vance fans must not miss these. They take place in the same time frame as Emphyrio (1969), which is one of Vance's very best books. The planet Durdane is a world beyond the perimeter of human civilization (originally far beyond, but at the time of the story only just beyond). Vance mentions several times a large 20,000-star cluster called the Schiafarella that dominates Durdane's summer night sky; Earth is thought to be in that general direction, "beyond" the cluster. The planet has three red/orange dwarf suns, which are apparently in tight orbit, so the planet orbits the trio, which are constantly eclipsing one another and creating strange light effects; this give rise to an obsession in Durdanian culture with color and color symbology; all of this is described but not explicated.
The original inhabitants undertook a long, long migration in the general direction of Galactic inward. They sought to isolate themselves from humanity and dwell on a virgin world in peace, so they scuttled their starships. Flash forward 9000 years. Usual Vance quirkiness and strange societies, including widespread reversion to tribalism.
But the story line is one of the few times Vance treats the implications of an alien civilization whose own perimeter is about to collide with humanity's. He doesn't deal with it head on, but even in the context of his rather baroque and sideways story telling, it's quite intriguing.
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